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2. Juni 2022 4 02 /06 /Juni /2022 02:41

Original Single Cover on early Zippo Zetterlink #vinyl #1968 ©W.O..T.

These fourteen songs you can watch on YouTube xtreme very strange videos - most of them, like they show up to me.😱.   Label: W.O.T., Singular artwork
all on CD 1 too now, ZETTERLINK -> YouTube und WoOZ! Workflow 2 zipOz 2022 NFT: Wolf O. macht Schallplatten ©W.O.T., Orschakowski records. Title: „my next record is yellow.“ CD 1 ZETTERLINK YouTube und WoOZ!, Workflow 2 zipOz for your summer party and until christmas and New Year 2022, here are 14 Tracks, good for 78:27 Minutes.
Does COVID-19 gave you the time to listen and reading my artist works? Should be so, may I guess. My friend Mick M. Segebarth on his boat in the Yachthafen does it right: he clicks my films in the YouTube channels, 50 films in zipzett YouTube and more in YouTube channel called musikkreis 2 MUKS, and benzaiten wolf, okami benzaiten. 弁財天の狼* Mick said, he often listen my music videos and goes the ZETTERLINK Boulevard. For the #billions of Euro the GEMA got from  YouTube, I got .-10 Cents lately, that was surprising, the GEMA helps me a lot, since I am a member for decades as composer. Have no click army. Public Radio Germany stealing my time for bedoing artwork with orders of filling their files for to get money of nothing. What I like to say is, surprisingly they all doing for themselves in this manner, as if they don't know. Have fun anyway.
*= you can subscribe these channels free and have more of my tracks and fun. Much better than any radio or TV program, so get it:
CD 1 ZETTERLINK YouTube und WoOZ! Workflow 2 zipOz 2022 Titelliste.
01 Winter Love 6:52 * Musikvideo auf YouTube Musikkreis2 MUKS
02 Baby Maybe I love you 4:49
03 ChingeesKhan jr., Oha! 3:18
04 Daiski  3:47
05 gandhara electric zetterlink  5:11 * Musikvideo auf YouTube zipzett 
06 gutai art performance by zippo zetterlink man plays guitar on his back at JFFH  4:58 * Musikvideo auf YouTube zipzett
07 Katjuscha(version) 7:01
08 lustlied für zetterlink 5:24 * Musikvideo auf YouTube zipzett
09 nightwalk with headphones through graceland 6:24 * Musikvideo auf YouTube zipzett
10 subvision and a swan lake in the washing machine 4:24 * Musikvideo auf YouTube zipzett
11 swan lake underground washing machine part 1 7:53 * Musikvideo auf YouTube zipzett
12 swan lake underground washing machine part 2 5:41 * Musikvideo auf YouTube zipzett
13 this is how josef beuys came to hamburg subvision 2 8:00 * Musikvideo auf YouTube zipzett
14 zipOz alien face 4:45 * Musikvideo auf YouTube zipzett
Wenn der Filmemacher Lars von Trier seine technischen Mängel zum Dogma erklärt, sage ich lieber nichts dazu. Ist eben so, ich habe nicht immer Geräte, die ich brauche. Gibt es da einen gewissen Reiz? Musikwissenschaftlich kann ich sicher sagen, was Komponisten notierten und wie Interpretation das machte, hat Welten dazwischen. Es lässt sich annähern, Ursprung aber ist da, wo etwas entsteht. Ich möchte euch empfindsam machen dafür. So wie mein Konzept für meine Bühnenauftritte. Covid-19 hat dem Auftreten Ruhe verordnet, da habe ich auch das verändert. 
Wenn es euch auch so eine Freude macht, meine Musik zu hören, dann stellt schön laut.

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25. Dezember 2021 6 25 /12 /Dezember /2021 13:33

 

Abb. Kamelkopf zufrieden Rohrfederzeichnung ©W.O.T. ZipOz MA KING OFF GALLERY...Im Namen des Wissens, und nicht im Namen der Richterschaft gegen das Volk: das Wort kommt in meinem Buch der Beleidigungen nicht vor. Soll das heißen, Beleidigungen sind relativ? Verlocken einstige Auszeichnungen und Lobesworte dazu, dass sie umfunktioniert werden zur Beleidigung? War doch "Schülerlotse" einst ein ehrenvolles Geleit, mit dem die Polizei für sich geworben hat. Haftet die Ausrede mit den Umständen, unter denen etwas gesagt wird? Dann müssen Umstände der Zeit angepasst sein, das könnte Umstandshalber nicht möglich sein. Jeder Mensch reklamiert für sich eine eigene Zeit. Sage ich mal HUMORLOSER AFFE, so gehört dies eher in eine zoologische Forschungsarbeit mit der Aufgabe, ob Affen humorlos sind, und wenn nicht, wie sich ihr Humor - wenn - geäussert hat. Nannte der Freund und Weimarer Landesvater den Goethe ein Kamel? War Goethe beleidigt? Wenn nichts weiter ist, dann ist das beleidigt sein ein neuer Trend. ©W.O.T.

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11. Oktober 2021 1 11 /10 /Oktober /2021 09:45

we have so many prolific artists this time, and what do I hear from galleries? "our storage is
crowded, we can’t take more."
What do I hear from radio? "your work is excellent, but our program is
full, and there is no format for you.."
What does print media respond? "don’t give up. Good luck
next time."
What do I see from culture office? "200.000,- and more for summer of culture, 10.000,-
for so called free actions, but now we not able to respond. We can send you a link ... "
What do I
get from property house owners? "Nice you always pay your rent correctly, but do you have to be an
artist? Why you produce so many drawings on paper, paint so many canvas and build so many 3-D
Objects? You don’t live like all the other penants."
"That is completly true. Compare to you, art
itself means nothing to you. If it has use to make you feel rich, you still want it free. You
determined in things in your way. Do not bother me, as I do not bother you. I will not steal your
time, so please steal not mine. Let me do my things, because I know I am right."
(inclusive my word game: the tenant is the penant for speculating owners)
Label 1 cut inverse, Canvas.©W.O.T. Art Story from Zippo Zetterlink.

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22. Mai 2014 4 22 /05 /Mai /2014 21:37

 

What use has it, if the idea is the same as the realization, if most of my ideas I published are used by other artists and then by misunderstanding been destroyed and shown without the concept and idea I put into my work? These epigones put my concepts out as fragments, they are even not interested in the background, they only look for quick money and name dropping, so the idea has no worth.

Maybe you know me, maybe you know me not. Maybe you talking what I was talking, too.

No Pyramid with hierarchies, but what my work is to you? I can work from every part of the globe, I have no center, and I don't need to travel. At least not now.

Our ambitions of making art are quite the same: to change thinking. This important topic most of the epigones forget. Our differences are not so big: my parents did not allow me to work as an artist, they did not support me, they threw me out of our house. One of the reasons that this old stone house, what survived the Anglo-American bombing in Hamburg, what was built for future generations by great grand parents and renewed by grand parents, and by parents again, been tored to the ground to make space for a kind of blackrock banker, after authority drove the rest of my family from our ground, new order, so I got homeless for a time but I wanted my studies. Learn, learn, learn, like Lenin said. While struggling for exhibitions I noticed, that our Hamburg town authority did every thing to help foreign artists, but they did nothing for their own people.

AS IF – as if there is nothing what allows me from this position to spread my concept, only by giving this away to artists from allied countries or artists of this Germany who are more silent and show they can obey rules even not acceptable. I still talking about thinning out Ideas what could change the thinking of mankind. One has to send the Ideas to people who are allowed to perform, but when these ideas return, they always damaged, by cutting away the basic meaning. I made this to another art concept, and I have a name for this concept. So I can only wait long enough, and it will come back to me in whatever disguise it may have, plundered and worn out, just to hold me down for the next years, guess this is the feeling you talked about. I stay for my work, and I can only look ahead while what comes next to bother me and will bring me off from my work. Another incident, another struggle, another court fight with people who invented stories of mobbing and blame, just for themselves, these are the easier downers. No air raids at least, but dangerous to think about, it can awake sleeping wishes of greedy persons, looking for careers.

This morning my dream does not show me the landlords breaking in my little workshop room, this morning my dream shows me a big tiger on the ice. We where few tenants with less chances. But we knew that the tiger hates water. So we stomp the ice to pieces, and I saw the claws of the tiger already grabbing for our feet. But the ice breaks, and the tigers claws got wet. The tiger was not so dare anymore, and try to call out for companions. But they are too far away, and they don't want to get wet, too. So I saw the tiger giving up, like a comic tiger the tongue hanging out and the eyes twisted, hardly reaching the shore, running away.

At least not a very bad dream, I guess.

Zipzett

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