SLADE, first BANGER 1974

Start with the hook line. Sorry, this was my record label. Polydor International. Me like to have a single from my Poem book.
They had such a fantastic tag, not just glued, no. It was somehow stamped into the mater, looked great. I looked Forward, 
although if of my contract wants me to have a new long play record. I just want one special single on the market. 
Two of my compositions I preferred to, but there was another directive came from London. This market was occupied from a 
cartel in Britain and not easy to deconstruct them, even if they fear for their future. The directive for a single production came mainly from Great Britain, where 4 people dominated the business: 
Robert Stigwood, Mickie Most, Tony Visconti and Chas Chandler. Chandler himself, as band manager of Slade, went so far as to 
that he adapted Slade's dress code to influence the working-class youth. Then Slade also tried it in the Independent Scene. 
Announeced as glam rock they looked like circus Clowns, and they had their retreats at least two times after the domination 
from T.Rex and for the real fans and of Course, because new wave and punk came up at that time. It was that time that I was 
thrown out of my record contract with Polydor International. How come that happened I`ve been thrown out of my house, too 
and it accidently killed my father. He came pale back from his holidays in Denmark. From there to hospital, from there to 
grave. Before he put my piano out of the house, all my books in plastic bags, my art works in the trash bin, as if he want 
to show me his anger that I lost my record contract. My life became another horror on the streets and Slade made it more 
brutal. Who's their banging man? Me? I cared for the social department in the art academy, organized a first film class and 
slept in the students rest room. I got a refugee place on a stone Floor in one old shoemaker's working room, while my little brother took over everything, my house too. And Slade made more Songs out of it. As if they want to show me what I am, or 
who am I. They shouting like Wolga Russians "get out of my town".
Still the allies who got my contract and label. Now we have internet and the exploitation is still going on. I want to post 
my Story in a supermarket, where I have free access, but one of the unwanted "updates" of my browser not allows me to have a
connection. It is too unsure, the remark. For whom, please?* For these companies selling securities, and damage the
access? I really don't need this. And did I ever needed Slade? Guess not. I needed my house. Did the British declared war
again, now to some people like me personally? In a way that no one will never find out. That is not smart at all.
My song for my single I recorded in the POLYDOR INTERNATIONAL STUDIO was "A CHILD IN SPACE", and the lyrics I've attached
are "On THE HORIZON I CAN SEE THE EARTH RISE. IF THERE MAY BE LIFE?" this is what I wanted to have promoted as my first 
single for my new label POLYDOR INTERNATIONAL. And I was sure it will work out well. Side B could do it with my "Blues in
the night". How do you think?
It's all 🎨. ©W.O.T. 欧-gang, zipOz. the art whispering, MKO GALLERY MA KING OFF