Blog von zippo zetterlink

We did the the interactivity and phenomenological aspects of LARP (Live Action Role Play), but much more of it.

I can imagine Patrick F. Brady as a time traveler. He may be disappeared in 1910 from a Casino in Monte Carlo after a win win situation without any trace, just after Dostoevsky, another time traveler, lost all his input, and F.P. Brady left all his suitcases still in the hotel ... they have been kept until today: F.P.Brady appeared again in 2015, in the night of Friday the 13th, Gallery links - rechts, Gängeviertel, his dice still in his pockets.

After this night until now I have not seen him again, so I animated these pics to GIFs movements, later to drop them in tumblr, you can say no, then I don't. Or maybe we can support each with our comments.

Great tribal work, Francis, Louise, Astrid, Jan, Coutschi, take your time travel easy to come back

in time.

Wolf-g.a.n.g.

I want to tell you more about in my ongoing work where I still want to integrate our nice collective learning - many thanks for all the experience. I am communicating you from my silent spaceship and from now on I am working out some of the material in here.

If you have any idea or concept to reflect and use this, please let me know. The mark of integration

is our tribal knowledge, for my micro tone composition I made with my flute traverse in the

opening night I had the background recording from:

Louise Vind Nielsen - radio transmission, Astrid - folksong frequencies, Jan - dark cave, Brady -

falling dice, Coutschi - metal and water.

My flute does only the wind sounds I expect when I went to look over my panorama view, called “sirrr!”, one up going tone frequency, where on my way I met the folksong frequency collector Astrid. She operates a self constructed machine, and the Navigator F.P.Brady found the Iglu in Northern Siberia where two more time travelers have been melted out of the ice, a strong 10year old girl, and Jan, who can let the spirit come like a shaman.

As I may quote myself, refer to tweet I did (not numbered, but published on ..), time travel from and into the past to present is something else and possible, than to travel from the present into one unknown future. Because, like I tweeted, the present is all we know. Even our projection about a future is a plan, futurism, is grammatically wrong, like Pannini – the Indian Grammaticalogist - might say. He didn't, I am boasting this moment to intrigue you.

Now in Addition there is the machine from the collector of folk song frequencies Astrid live on one of the saved recording material, a falling dice intro by ... oh now I am so sorry by my unintentional awareness to take everybody's Email too, so that our tribal work may flourish. But this near to soundless coming plop from her lips fits great.

It was good to let some time set, before I made these tracks. The wind flute in a record recording it made in the night of the gallery opening, where a side room for gathering together was installed by F.P.Brady and Louise V.Nielsen, letting go the soundscapes we recorded only some hours ago. To these micro tones I have some few words to say.

It is quite easy for me to play the "normal" flute, but for micro tones I need some special environments, and these I got in the night of the opening from our exhibition.

About the signs we invented, I found a GANDHARA script stone, can not date it, but there is a slight similarity to our writing inventions. Have to check the roots.

First sign on the left looks like " म " , Sanskrit for " bha " and " ma " - depends on the upper

line. I prefer " bha " because the line is left open. French colleagues directed GANDHARA to

eastern Pakistan. The writing signatures the dress of a figure so common in that time, it is as well

shown on gold plates, maybe used as medals or coins. Now the conquered empire of Alexander the

Greek comes into my focus: The gold plates showing Greek letters, and the Buddha statues in the

Bamiyan valley standing upright, wearing Greek dress. It points me to a form of Graeco-Buddhism.

Time traveler Patrick Francis Brady was there, too - but this I can only guess.

This collective work we did has very scientific roots like the linguistic search for meaning. Out of the many studies in the art of meaning I concluded that Symbolism in art was already done in the 20th century art, for deconstruction Nancy philosophy puts an end to it, now we pushing on to the

unknown. ACT3 must be considered as the canonical loophole to this great push.

our exhibition night on friday, 13th November 2015 in Gallery links-rechts, Gängeviertel Hamburg. from left: Louise Vind Nielsen, Patrick Brady, Jan Koopmann.

Photos Wolf O.T.

ACT3 was topping the works of ACT1 and ACT2, thanks Louise Vind Nielsen, who inaugurated us.

We build a new pleasure dome.

By the way, there is a superstition in some minds, that any work you do, any film work from Hollywood, any music video will become a truth one time in the future of the participating actors and actresses. Before my meeting with Francis Patrick Brady I sent him one audio work of mine, a play where I try to find a landing opportunity for me and the crew of my spaceship. We just came back from Jupiter moon Europe, safely passing the asteroid belt, and I tried several Earth languages to meet a feedback from there, including this old fashioned English. Until now I wait for a response, and if this really comes, I am ready for my art translator. Or the global earth language is African Fanti this time. That makes me know that Earthlings still love fashion.

If you want to ask for this artwork, you have to buy two, because the one you might want is included in the other.

Wolfgang Orschakowski - Tschaikowsky for Zetterlink art writings.